LOVE IS EVERYTHING AND A METAPHOR: A Review of amu nnadi’s ‘the love canticles’
A poem is a city. A city is a lover. And this is how we are ushered into this collection of a hundred poems, given a tour of cities & emotions. A good poem, like every journey, is a loop — no matter the detours, it returns to its beginning.
The first poem, my earth, is a piece and a whole — an introduction, and a summary. It is of a planet of origins, completions, and cessations.
my love
my earth
to love you
is to live
to live is
to love you
to leave you
is to wither
and slowly
s low ly die
my earth
my love
It is one poem and a hundred.
amu nnadi is a poet in love with nature, and (naturally) with language. In encountering athens, the poet is quick to let us know he is no Olympian — and this is how he started his marathon of metaphors, wearing medals of words, seamlessly juxtaposing literary and scenery images until the metaphor becomes the actual — or not.
In santorini, and ave maria in love’s cathedral, Santorini is both a city and a lover. The poet’s fluid images bring gives land and seascapes a heart on the page. It is as though, the reader walks through landmarks held by the hands of histories and music. Nature takes on human attributes as city and poet interact.
sand cleaves as a lover, by your shores
to my feet, i amble into arms of sunset (santorini, page 10)
santorini, rests on one knee
being suitor and seductress
in both outstretched palms
rare gems of water and light (ave maria in love’s cathedral, page 11)
The beauty of poetry is its ability to present familiar truths as though, new realities. In the deep of Seychelles,
of what use is blood when it is not a river
of what use is river, which crouches on its
haunches, as legless lake stranded in place
and of what use, legs which will not move
for the man will drown who cannot swim
so in seychelles we discern this blue truth:
we too are as sand, light and dream
Journeys are characterized by distances, silences, and longings — sometimes we are bereft of hope, only left to hold on to grief, loneliness, and memories. You cannot talk of love without touching on departures and absences and heartbreaks — and unrequited affections.
nothing remains, nothing
subsists, nothing matters
when you are far from me (two lost selves, page 37)
Sometimes, I recite amu nnadi’s poems, imitating his baritone voice, to appreciate the rhythmic cadence of his verses. This is where, beyond its impeccable diction, in every absence is rich. distances & time tell reveals that we find absent lovers in the things around us — the memories and mementos left behind. Absence is a sharp knife — it cuts deep and at the same time reminds you of the tenderness that used to be.
Your eyes touch me keener than a knife
and flesh recalls their acute tenderness
for to be without you, is to bear a gash
where, beloved, your heart ought dwell (always, page 41)
Imagining is a feast on its own, a quick snack of passion — sweet dessert of fine flesh.
i will no longer eat dates
and not imagine our love
My favourite poem in the collection is worship. and what is worship/but to kneel, goddess/like this, before you
the love canticles is divided into five chapters — earth ache, unfurling, heart’s whispers, falling, & re: kindling. And love is everything in this book — cities, tulips, firewood, golf ball, christmas tree, a mobile phone, fruits, honey, beverage, electricity…
Jide Badmus
Author, What Do I Call My Love For Your Body